This wonderful pinnacle is
found in lower Queen Valley a couple of miles
west of the Geology Tour road. You pretty
much have to know where it is to find it.
We were led there by good friend and outstanding
Joshua Tree photographer Paul Martini.
The outcrop is dominated by
an amazing spire that soars above the collection
of boulders. We had enough time before the
sun would set for me to scout around the entire
outcrop. I took many test shots with my
Canon G11, looking for the composition that
struck me the most. It was this
composition that stuck in my mind.
When I retuned I found this
dead Joshua Tree that made an interesting
leading line into the image. The living
Joshua Tree near the base of the outcrop
provided an exciting splash of green against the
predominately yellow-brown landscape. And
the pinnacle soared majestically above the rest
of the outcrop as if reaching for the sky.
I set up my camera low enough to the ground that
I worked on my knees. A warming polarizer
filter gave the right punch to the sky and the
glow to the rocks. The clouds drifted
overhead and I photographed the seen with the
constantly changing cloudscape. It is this
sky that I would choose back at home to work
with.
The post processing started
in Lightroom. I tried a new technique that
produced a very bold image - Fill Light = 100
and Blacks = 42. This resulted in an image
that was very saturated with a great deal of
contrast. A little tweaking of the blues
of the sky and the yellows of the rock and the
image was ready to export to Photoshop.
Photoshop was another matter.
After applying a contrast mask go pull out
details in image I started working on local
adjustments. I wanted to eye to first go
to the pinnacle and then to the sky and finally
to the Joshua Tree. The first adjustment
was to darken the dead tree trunk in the
foreground. This provided a tonal foundation for
the image, being both dark and at the bottom.
Next, the foreground are was very saturated and
thus commanded a lot of attention. So I
reduced the saturation here considerably.
Working up the image I
adjusted the color of the sky to make it more
complementary to the yellows of the rock.
That led to adding saturation to the sunlit
boulders. The boulders in the shade were
quite red so I darkened them and added blue.
Finally I turned to the Joshua Tree and enhanced
the green of the leaves so that it would stand
out against the background.
The final image works the way
I had envisioned. When I shot the image I
was thinking of a castle and that's what I
think of now that I see the finished photograph.