Posts Tagged ‘drama’
The Rule of Thirds is a compositional principle that is widely used. And for good reason because, well, it works. At least, it works in a lot of situations.
What is the Rule of Thirds? You superimpose a tic-tac-toe grid on your image, two vertical lines equally spaced and two horizontal lines equally spaced. Then you place the key elements of your image on or near those lines, or at one of their intersections. They don’t have to be exactly on the lines or intersections, just near them. This is art, not engineering, so it’s important that it feels right. But the Rule of Thirds gives us positions that are visually very strong and command the viewer’s attention. That’s why you want to use this principle for the key elements of your composition, the elements you want to draw the viewer’s eye to.
One should be cautious in overusing the Rule of Thirds. It should not be applied mechanically and certainly not universally. It does not apply to all compositions. After all, aren’t our ‘Rules’ of composition made to be broken? But on the other hand, sometimes a composition gets just a little bit stronger when you move the key element just a tiny bit to place it closer to or right on a 1/3rd line.
The fact is it works so well in so many situations that the camera manufacturers give us the ability to display the grid on our camera’s LCD screens and viewfinders. Also, software publishers like Adobe display the grid when we use the crop tool. This is true of Elements, Lightroom and Photoshop. And these aids can be very helpful in achieving strong compositions.
Why does the Rule of Thirds work so well? To answer that let’s talk about Visual Tension.
Continue reading “Mastering Composition – Rule of Thirds” »
Tags: blue, bulls eye, Center, center of gravity, composition, corner, desert, drama, energy, frame, gravity, Joshua Tree, landscape, life, morning, National Park, orange, photography, red, rule of thirds, sheep pass, silhouette, spring, static, sunrise, tension, tic-tac-toe, visual, visual center of gravity
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As I drive across the Mojave Desert late one Thursday night not long ago, heading north on I-15, I have a sense of harmony, of unity with the night, the highway, my car. The pavement ahead eases into the beam of my headlights, grows brighter as it draws closer and then slips back into darkness as it slides underneath. Nights like this are a joy. I’m in a groove, a state of calm serenity and anticipation. Tomorrow I’ll be returning to Zion National Park, something I always look forward to. I didn’t notice the faint flashes of light.
Powerful thunderstorms were roiling over eastern California and southern Nevada that night, The dark clouds glowed with flickers of light and precious water dropped on the parched desert. it was a huge storm and I was chasing it. Approaching the state line the casino lights of Prim were reflected, bright and shimmering, on what is normally a dry lake bed. A half hour later as Las Vegas finally came into view, the glitz and glamor of the gaudy hotels was dwarfed by the grandeur of bolts of lightning streaking for miles across the turbulent sky.
The following morning workers were cleaning up after the storm but it hadn’t fully passed. Storm clouds still blanketed the sky for the remainder of the journey to Zion. A detour to Kolob Terrace to check the aspens was, I suppose, inevitable. The falling snow up in the high country was a surprise. And a delight. Sunrise the next morning was looking promising.
The best location in Zion that gets the full sunrise treatment is West Temple. I’ve photographed it many times but never got anything that I was excited about. The most popular location to shoot from is the ‘patio’ behind the museum but on this morning I chose a less visited one – the 2nd switchback on Tunnel Road. The expectation of clearing storm clouds, the choice of shooting locations – everything worked out just right.
Continue reading “The Making of a Photograph – Clearing Storm, West Temple 2012” »
Tags: action, adjustment, adjustments, Also, Altar, Another, anticipation, article, attention, background, balance, black, California, Canyon, casino, Click, cliffs, clouds, collaboration, color, comments, conversation, desert, detour, drama, eons, events, excitement, expectation, Facebook, feelings, files, finale, Flickr, foreground, friends, glamor, glory, grandeur, harmony, highway, image, images, imagination, inspirations, Join, Kolob, lake, layer, Level, life, Lightroom, lights, LinkedIn, links, location, locations, masterpiece, midst, Mojave, moment, mood, National, needs, Nevada, paper, Park, patio, perspective, photograph, PhotoShop, Prim, qualities, remainder, result, Road, Sacrifice, selection, shadows, silhouette, silhouettes, storm, strength, subject, Sundial, sunrise, Sure, temperature, Temple, Terrace, times, Tint, treatment, Tunnel, understatement, Vegas, Vibrance, viewer, walls, West, workers, workshop, Zion
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A friend asked me if I’d do a blog on the making of the photograph I took of the Virgin River during the Zion National Park photography workshop in 2011. He’s a good friend and it’s a nice photograph so let’s do it. Here’s the end result. (You can click on each of the photographs to enlarge them and get a better look.)
And here’s what it started from.
The difference is obviously pretty dramatic so there will be a few things to talk about. We’ll start with what I was experiencing in the field and take it all the way through the darkroom to the end product. So let’s get started.
Continue reading “The Making of a Photograph – Virgin River 2011” »
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Lodgepole Pines (1921)
This Ansel Adams photograph has always stood out from the rest of his works. It doesn’t have the usual crispness or drama that one normally expects. Instead the focus is soft and the shadows are not full and rich. It almost seems like it might have been created by another person. And for that reason I find it all the more interesting.
It’s difficult to imagine the great Ansel Adams as an amateur, a novice photographer. One normally associates him with a supremely confident master of his art, a pioneer of techniques, both technical and aesthetic, that we still use and revere today. And this is certainly an accurate characterization. But like all of us, he had to start somewhere. We all go through a period where our art is in its formative stages, where we are discovering ourselves, our vision and our voice. And this photograph was part of the process for Adams.
Continue reading “Ansel Adams – The Making of 40 Photographs: Lodgepole Pines” »
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