Posts Tagged ‘green’
The results are in and you have selected your favorite photographs of 2012. Before presenting the results let me just say how much I appreciate the input from everyone that participated. This has been an exciting experience for me and I hope you had fun.
So, on to the results. There were eight photographs in the final runoff. They were the top two of their categories – California Deserts, Big Sur, Eastern Sierra and Zion National Park. So each one is a winner in it’s own right.
Let’s start with number 8 – Sunrise, North Lake.
North Lake is in the Eastern Sierra just outside the town of Bishop,, California. It is one of three lakes that are up Bishop Creek. North Lake sets itself apart from the other two (Sebrina and South Lakes) in that it is naturel. Besides being the smallest there is no dam to back up water and generate electricity. The only development is a pack station at its head. And there’s a rustic campsite upstream a little ways. I always return to this same location because of the boulders in the foreground, the soft grasses and the snag in the middle ground. The colors at sunrise are magnificent with the cool blues and greens that are still in the shade and the bright warm morning light on the peak in the back. I get a strong feeling that all is well with the world when I’m there.
Continue reading “Best of 2012 – Results” »
Tags: badwater, Big Sur, Bishop, blue, California, clouds, cockscomb mountains, Death Valley, desert, Eastern Sierra, fine art photography, god rays, gold, golden hour, green, Joshua Tree, landscape, light painting, lightning, Mammoth Lakes, National Park, night photography, North Lake, orange, Pfeiffer beach, photograph, Pinto Basin, salt, seascape, star trails, storm, Sundial, sunrise, sunset, Temples of the Virgin, thunder, Tunnel, Twin Lakes, Utah, West Temple, yellow, Zion
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“When I compose an image I spend more time getting the borders right than I spend on the subject.” You think this is a surprising statement? There are a lot of photographers that I really admire for whom this statement is true. I know when I first started out I had no idea what was happening on the borders. I paid no attention to them. Until it was pointed out to me that my borders were very sloppy. And from that point on composition got a whole lot harder because getting clean borders is not a trivial task. But over time it became second nature to me. Now I always check the borders and make appropriate adjustments before I press the shutter.
Well, almost always. Take a look….
Continue reading “Mastering Composition – Border Patrol” »
Tags: border patrol, bright, composition, fog, foliage, god rays, green, lady bird Johnson grove, light, northern California, prairie creek state park, redwoods
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The next step in selecting the best photograph from among the photographs I captured in 2012 is completed. And you have spoken in a loud and clear voice.
We are doing this one area at a time. The first was the California Deserts. Next came the Eastern Sierra. This round was magnificent Big Sur. And since I was there three times in 2012 there were a host of photographs to choose from – ten in all.
How did it turn out you ask? Let’s get right into the results and this time we’ll start with the most popular photograph.
In the number 1 position is Sunset, Pfeiffer Beach.
Everyone loves a beautiful sunset. But Mother Nature doesn’t pass them out freely. So you need to be patient and ready for them when they happen.
Sunset photographs have the best color when they’re underexposed a bit. But they are so inspiring that too often not enough attention is paid to the foreground. On this evening I sprinted 100 yards or so down the sandy beach to work the rock outcrop into the composition. And it worked well with the triangular shape of the rock mirroring the diagonal sweep of the clouds.
But that wasn’t enough for an strong foreground. It was important to capture an interesting pattern in the surf which completed the composition.
Continue reading “Best Photograph of 2012 – Big Sur” »
Tags: anticipation, beach, Big, bixby, Bridge, cathedral, china, clouds, composition, cove, dawn, diagonal, Earth, energy, falls, foreground, god, gold, gothic, green, light, line, lobos, mc way, middle, morning, National Park, ocean, pattern, Pfeiffer, photography, pier, Point, power, powerful, rays, Rock, rocky, sacred, salmon, San Simeon, shore, static, sun, sunrise, sunset, sur, Surf, tranquil, triangle, Tunnel, twilight, warmth, waterfall, waves, winter, workshop, Zion
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Lightroom is a great tool. It’s quick and easy to use – once you get the hang of it. But sometimes mastering the workflow, the steps you go through to take a raw file to a ‘final’ image, can be a bit daunting.
Let me say up front that Lightroom is an important part of my workflow but it’s not the only part. Every photograph I work on starts in Lightroom but is completed in Photoshop. Nevertheless, Lightroom gets a photograph to about 80% of the final product. I know many people who use Lightroom exclusively and Photoshop only in rare circumstances if at all.
So back to the workflow. Can it really be made easy? Yes it can. There are four major steps (not counting import – see Lightroom Tutorial – Importing Photographs):
- Mechanical adjustments like dust spot removal and cropping
- Tonality adjustments
- Hue adjustments
- Saturation adjustments
Let’s skip the first step and start with the second. The example will be in Lightroom 4.
Continue reading “Lightroom Tutorial – Workflow Made Easy” »
Tags: adjustment, adjustments, Adobe, amount, Basic, black point, Blacks, blue, brighter, clarity, clipping, color, contrast, cool, corners, creative process, crop, cropping, Death Valley, dust spot, dynamic range, edges, elements, emotion, enhancement, exposure, Global, grain, green, greens, highlight, highlights, histogram, hue, image, images, impact, Lightroom, Local, luminosity, magenta, photo, photography, PhotoShop, Post processing, post-crop vignette, radius, RAW, saturation, shadow, shadows, tan, temperature, Tint, tonal, tonality, unsharp mask, Vibrance, vignette, warm, white point, Whites, workflow, workshop, yellow, yellows, Zabriskie Point
Posted in How To Articles, Lightroom | Comments (6)
I just finished posting a batch of new photographs on my website. They are from three different ‘shoots.’ I’d like to tell you a little about each of the shoots and share the photographs with you.
I don’t put anything up on my website until I get prints that I’m satisfied with. Another way of putting it – a photograph isn’t done until it looks great on paper. I’ve made large prints of all of these and, I must confess, I’m very pleased. I’ll be matting and framing them and showing them to the public for the first time this weekend at the Old Monterey Fine Arts Festival in Monterey, California. If you’re in the area Saturday or Sunday, stop in and say Hi.
I have two photographs to share from last month’s Big Sur photography workshop. We covered famous Highway 1 from San Simeon to Carmel-by-the-Sea. The weather was clear, the sun was bright and an on-shore wind made for some great surf.
I chose two photographs to put on the website. The first is Bixby Bridge. I’m not normally into photographing man-made structures. But this one turned out so well with great light and a sense of its gracefulness and size that I had to include it. Click on the link to see the photograph and read more about it.
View Bixby Bridge (2012)
The other photograph is China Cove in Point Lobos State Park. I’ve always been impressed with its rugged serenity and, with the soft light of an overcast day helping out, I think I finally got a photograph that captures it.
View China Cove (2012)
Continue reading “New Photographs” »
Tags: Arizona, big island, Big Sur, Bixby Bridge, blue, California, canyon de cheylly, China Cove, chinle, cool light, green, Hawaii, intimate, landscape, midday, onomea bay, overcast, phorography, photo, photographer, photographs, Point Lobos, red, side light, soft light, spider rock, summer, sunny, sunset, Surf, twilight, warm light, workshop, Workshops
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