As I drive across the Mojave Desert late one Thursday night not long ago, heading north on I-15, I have a sense of harmony, of unity with the night, the highway, my car. The pavement ahead eases into the beam of my headlights, grows brighter as it draws closer and then slips back into darkness as it slides underneath. Nights like this are a joy. I’m in a groove, a state of calm serenity and anticipation. Tomorrow I’ll be returning to Zion National Park, something I always look forward to. I didn’t notice the faint flashes of light.
Powerful thunderstorms were roiling over eastern California and southern Nevada that night, The dark clouds glowed with flickers of light and precious water dropped on the parched desert. it was a huge storm and I was chasing it. Approaching the state line the casino lights of Prim were reflected, bright and shimmering, on what is normally a dry lake bed. A half hour later as Las Vegas finally came into view, the glitz and glamor of the gaudy hotels was dwarfed by the grandeur of bolts of lightning streaking for miles across the turbulent sky.
The following morning workers were cleaning up after the storm but it hadn’t fully passed. Storm clouds still blanketed the sky for the remainder of the journey to Zion. A detour to Kolob Terrace to check the aspens was, I suppose, inevitable. The falling snow up in the high country was a surprise. And a delight. Sunrise the next morning was looking promising.
The best location in Zion that gets the full sunrise treatment is West Temple. I’ve photographed it many times but never got anything that I was excited about. The most popular location to shoot from is the ‘patio’ behind the museum but on this morning I chose a less visited one – the 2nd switchback on Tunnel Road. The expectation of clearing storm clouds, the choice of shooting locations – everything worked out just right.
Continue reading “The Making of a Photograph – Clearing Storm, West Temple 2012” »
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Posted in How To Articles, Lightroom, Making a Photograph, Photoshop | Comments (0)
Brooks Jensen published a very provocative article in the current issue of Lenswork. He delves into a topic that I’ve thought about ever since I first picked up a digital camera. It relates to the question of whether or not it is OK to manipulate photographs. I’ve always contended that it is not only OK but, at least for the kind of photography I do, it is required. The photographs I create reflect my interpretation of the natural world around us. Therefore, their subjects and contents are going to reflect something of me.
Jensen goes several steps farther by identifying three major types of photography – Documentary, Personal Narrative and Imaginative. Jensen describes Documentary photography as telling “someone else’s story.” What a great way of describing it. Clearly, then, in documentary photography, the photographer strives to be as true to the subject as possible and minimize or eliminate his or her own coloration or bias. The goal is total objectivity.
Continue reading “What Else Things Are” »
Tags: imagination, landscape, manipulation, photography, reality, Workshops
Posted in Journal, Photographer as Artist, Photography as Art | Comments (0)