Posts Tagged ‘moment’
What’s on your mind?
I’ve been thinking about ‘fine art.’
You’ve got to be kidding. I mean there are PhDs that study this sort of thing, masters of the arts that won’t touch the topic. What makes you think you can think about ‘fine art?’
I don’t know. I just wonder about it. I’m trying to be an artist and I wonder what it all means, if I’m truly an artist or if I’m getting any closer.
Ok, you’re a photographer, aren’t you? So you must be thinking about fine art photography. You must be nuts! Nobody agrees on what fine art photography is.
Yea, fine art photography, that’s it. What do you think? Do you have any ideas of what it really is? I mean I’ve heard people say that if you want your photography to be art all you have to do is to call it art and it is so. ‘My photographs are fine art.’ Lord knows you hear that enough. But that seems a bit too simplistic, a bit too easy. It seems like it should be more than that. I mean, can you snap a picture, run down to Costco to get a large print and call it art?
Continue reading “A Conversation about Fine Art” »
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As I drive across the Mojave Desert late one Thursday night not long ago, heading north on I-15, I have a sense of harmony, of unity with the night, the highway, my car. The pavement ahead eases into the beam of my headlights, grows brighter as it draws closer and then slips back into darkness as it slides underneath. Nights like this are a joy. I’m in a groove, a state of calm serenity and anticipation. Tomorrow I’ll be returning to Zion National Park, something I always look forward to. I didn’t notice the faint flashes of light.
Powerful thunderstorms were roiling over eastern California and southern Nevada that night, The dark clouds glowed with flickers of light and precious water dropped on the parched desert. it was a huge storm and I was chasing it. Approaching the state line the casino lights of Prim were reflected, bright and shimmering, on what is normally a dry lake bed. A half hour later as Las Vegas finally came into view, the glitz and glamor of the gaudy hotels was dwarfed by the grandeur of bolts of lightning streaking for miles across the turbulent sky.
The following morning workers were cleaning up after the storm but it hadn’t fully passed. Storm clouds still blanketed the sky for the remainder of the journey to Zion. A detour to Kolob Terrace to check the aspens was, I suppose, inevitable. The falling snow up in the high country was a surprise. And a delight. Sunrise the next morning was looking promising.
The best location in Zion that gets the full sunrise treatment is West Temple. I’ve photographed it many times but never got anything that I was excited about. The most popular location to shoot from is the ‘patio’ behind the museum but on this morning I chose a less visited one – the 2nd switchback on Tunnel Road. The expectation of clearing storm clouds, the choice of shooting locations – everything worked out just right.
Continue reading “The Making of a Photograph – Clearing Storm, West Temple 2012” »
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Posted in How To Articles, Lightroom, Making a Photograph, Photoshop | Comments (0)
A friend asked me if I’d do a blog on the making of the photograph I took of the Virgin River during the Zion National Park photography workshop in 2011. He’s a good friend and it’s a nice photograph so let’s do it. Here’s the end result. (You can click on each of the photographs to enlarge them and get a better look.)
And here’s what it started from.
The difference is obviously pretty dramatic so there will be a few things to talk about. We’ll start with what I was experiencing in the field and take it all the way through the darkroom to the end product. So let’s get started.
Continue reading “The Making of a Photograph – Virgin River 2011” »
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Posted in Composition, Expoure, How To Articles, Light, Lightroom, Making a Photograph, Photography as Art, Photoshop | Comments (2)
I was fortunate to be in Big Sur last week photographing that magnificent coast with the members of our workshop. Ansel Adams made some beautiful photographs here as did, of course, Edward Weston. An increasingly common technique used by photographers is to employ a neutral density filter to get very long exposures that turn the ocean into a sea of ethereal mist. Many of these photographs are incredibly beautiful. Personally, I connect with the power and energy of the ocean, something these beautiful photographs do not capture.
Adams’ technique was to stop the motion in of the surf as in this photograph titled “Rock and Surf.” Freezing the water was essential to the effectiveness of the composition.
Rock and Surf (1951)
Continue reading “Ansel Adams – The Making of 40 Photographs: Rock and Surf” »
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