I just finished posting a batch of new photographs on my website. They are from three different ‘shoots.’ I’d like to tell you a little about each of the shoots and share the photographs with you.
I don’t put anything up on my website until I get prints that I’m satisfied with. Another way of putting it – a photograph isn’t done until it looks great on paper. I’ve made large prints of all of these and, I must confess, I’m very pleased. I’ll be matting and framing them and showing them to the public for the first time this weekend at the Old Monterey Fine Arts Festival in Monterey, California. If you’re in the area Saturday or Sunday, stop in and say Hi.
I have two photographs to share from last month’s Big Sur photography workshop. We covered famous Highway 1 from San Simeon to Carmel-by-the-Sea. The weather was clear, the sun was bright and an on-shore wind made for some great surf.
I chose two photographs to put on the website. The first is Bixby Bridge. I’m not normally into photographing man-made structures. But this one turned out so well with great light and a sense of its gracefulness and size that I had to include it. Click on the link to see the photograph and read more about it.
View Bixby Bridge (2012)
The other photograph is China Cove in Point Lobos State Park. I’ve always been impressed with its rugged serenity and, with the soft light of an overcast day helping out, I think I finally got a photograph that captures it.
View China Cove (2012)
Continue reading “New Photographs” »
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Lodgepole Pines (1921)
This Ansel Adams photograph has always stood out from the rest of his works. It doesn’t have the usual crispness or drama that one normally expects. Instead the focus is soft and the shadows are not full and rich. It almost seems like it might have been created by another person. And for that reason I find it all the more interesting.
It’s difficult to imagine the great Ansel Adams as an amateur, a novice photographer. One normally associates him with a supremely confident master of his art, a pioneer of techniques, both technical and aesthetic, that we still use and revere today. And this is certainly an accurate characterization. But like all of us, he had to start somewhere. We all go through a period where our art is in its formative stages, where we are discovering ourselves, our vision and our voice. And this photograph was part of the process for Adams.
Continue reading “Ansel Adams – The Making of 40 Photographs: Lodgepole Pines” »
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An important part of post processing is importing your photographs into Lightroom. The goal is to copy the files from your camera or laptop and store them on your desktop computer. At the same time you also want to make a backup of all of your files.
You might be interested in the configuration of my desktop computer. It has about 5 terabytes of storage. This is where the image files will be stored. I also have several terabytes of external storage – external hard drives. This is where the backup copies go.
In this example I’ll be copying files directly from the camera. The plan is to copy the files as they are to the backup storage. But the files I store on the desktop storage will be converted to DNG format. More on that in another post.
So with the big picture in mind, let’s get into the details.
Continue reading “Lightroom Tutorial – Importing Photographs” »
Tags: Adobe, Adobe Bridge, Adobe Camera Raw, Aperture, Canon, digital camera, digital darkroom, DNG, import, JPEG, Lightroom, Nikon, photographs, Post processing, RAW, tutorial
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