The next step in selecting the best photograph from among the photographs I captured in 2012 is completed. And you have spoken in a loud and clear voice.
We are doing this one area at a time. The first was the California Deserts. Next came the Eastern Sierra. This round was magnificent Big Sur. And since I was there three times in 2012 there were a host of photographs to choose from – ten in all.
How did it turn out you ask? Let’s get right into the results and this time we’ll start with the most popular photograph.
In the number 1 position is Sunset, Pfeiffer Beach.
Everyone loves a beautiful sunset. But Mother Nature doesn’t pass them out freely. So you need to be patient and ready for them when they happen.
Sunset photographs have the best color when they’re underexposed a bit. But they are so inspiring that too often not enough attention is paid to the foreground. On this evening I sprinted 100 yards or so down the sandy beach to work the rock outcrop into the composition. And it worked well with the triangular shape of the rock mirroring the diagonal sweep of the clouds.
But that wasn’t enough for an strong foreground. It was important to capture an interesting pattern in the surf which completed the composition.
Continue reading “Best Photograph of 2012 – Big Sur” »
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We landscape photographers tend to avoid photographing during the middle of a sunny day. The light is harsh with no color. We prefer golden hour or twilight.
But there are times when we have no choice as to when we can shoot. When we’re on vacation with family we can’t wait until sunset at every location that sparks our interest. So we get the shot and hope for the best. But there’s a technique we can use that will greatly enhance our chances of capturing a more compelling photograph.
Continue reading “HDR for Every Day” »
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I was fortunate to be in Big Sur last week photographing that magnificent coast with the members of our workshop. Ansel Adams made some beautiful photographs here as did, of course, Edward Weston. An increasingly common technique used by photographers is to employ a neutral density filter to get very long exposures that turn the ocean into a sea of ethereal mist. Many of these photographs are incredibly beautiful. Personally, I connect with the power and energy of the ocean, something these beautiful photographs do not capture.
Adams’ technique was to stop the motion in of the surf as in this photograph titled “Rock and Surf.” Freezing the water was essential to the effectiveness of the composition.
Rock and Surf (1951)
Continue reading “Ansel Adams – The Making of 40 Photographs: Rock and Surf” »
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