I’ve been giving a lot of thought recently to what goes in to making a great landscape photograph. It turns out there are four things, four pillars if you will.  Four, that’s a good number.  There are the four legs of a table or the four wheels of a car.  And not to forget the four sacred directions of the Native Americans.

In landscape photography the four pillars are evenly divided between the aesthetics and the technical.  So what are they?  The two aesthetic pillars are Fantastic Light and Strong Composition.  No surprise there.  The two technical pillars are Appropriate Sharpness and Optimum Exposure.  No surprise there either.  If just one of those pillars is missing, well, the table collapses, the image suffers.

Let’s look at them one by one….

Joshua Tree Spring Sunrise (2011)

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There are a couple of things that make a great vacation photograph.  Certainly photographing loved ones in exciting and exotic places is one of the most important.  But there is something else that is very powerful and not that hard – Composition.

There are many facets to composition, far more than can be covered in a brief blog posting.  But come along and I’ll share 10 simple compositional techniques with you that will enhance not only your photography on your vacation but throughout the year.

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Why study composition?  Edward Weston said, and I paraphrase, that studying the laws of composition before taking a photograph is like studying the laws of gravity before going for a walk.

Well, sometimes I feel like a toddler when it comes to composition.  And if you’ve been around a toddler as they’re learning to walk you know how diligently they study the laws of gravity and why they have such thick padding on their rumps.  There’s a reason they’re called ‘toddlers.’

I’m always searching for new ways to present the principles of composition in my photography workshops.  And I think I’ve come up with an approach that will get some of the people seeing the world differently, at least that’s the goal.  I like to challenge my workshop attendees to stretch themselves and expand the way they see.

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“… nature – unadulterated and unimproved by man – is simply chaos.” Edward Weston.

There’s no argument that Edward Weston was one of the finest photographers that ever tripped a shutter.  And one of the aspects of his photography that he is most revered for is his compositions.  He was the absolute master in his studio but when it came to photographing nature he admitted that it was the most difficult of all.  Why?  Because nature is chaos.

Nature is Chaos

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When it comes to evaluating our own photographs we’re probably the worst ones to do so.  That’s not surprising because we’re so emotionally tied up in every aspect – the subject, the feelings we had when we got the shot, the work we’ve done on it in the digital darkroom.

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