Over the years there has been a lot of interest in the concept of ‘Expose to the right.’ This is something that is commonly done in digital photography where you intentionally overexpose an image. The idea is that in digital images there is more information to work with in the brighter tonalities than there is in the darker. And this will give you more to work with in the darkroom (Lightroom and Photoshop) which will result in a better image.
I’ve written several posts on this topic and if the concept is new to you please read these. I’m not going to go into the theory here; that is spelled out in these posts.
Lightroom Tutorial – Expose to the Right
Expose to the right – Revisited
Now, I understand the theory. I’m a computer guy; I had better understand it. But I’ve always wondered if the promise of a better image actually worked out in real life. So I did a test during our recent photography workshop to Big Sur.
Continue reading “Mastering Exposure – Expose to the Right” »
Tags: Big Sur, black point, Blacks, clarity, clipping, Darkroom, digital, expose to the right, exposure, exposure compensation, highlight, histogram, image, Lightroom, old coast road, over expose, overexpose, photo, photograph, photography, PhotoShop, redwood, shadow, tonality, workflow, workshop
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Lightroom is a great tool. It’s quick and easy to use – once you get the hang of it. But sometimes mastering the workflow, the steps you go through to take a raw file to a ‘final’ image, can be a bit daunting.
Let me say up front that Lightroom is an important part of my workflow but it’s not the only part. Every photograph I work on starts in Lightroom but is completed in Photoshop. Nevertheless, Lightroom gets a photograph to about 80% of the final product. I know many people who use Lightroom exclusively and Photoshop only in rare circumstances if at all.
So back to the workflow. Can it really be made easy? Yes it can. There are four major steps (not counting import – see Lightroom Tutorial – Importing Photographs):
- Mechanical adjustments like dust spot removal and cropping
- Tonality adjustments
- Hue adjustments
- Saturation adjustments
Let’s skip the first step and start with the second. The example will be in Lightroom 4.
Continue reading “Lightroom Tutorial – Workflow Made Easy” »
Tags: adjustment, adjustments, Adobe, amount, Basic, black point, Blacks, blue, brighter, clarity, clipping, color, contrast, cool, corners, creative process, crop, cropping, Death Valley, dust spot, dynamic range, edges, elements, emotion, enhancement, exposure, Global, grain, green, greens, highlight, highlights, histogram, hue, image, images, impact, Lightroom, Local, luminosity, magenta, photo, photography, PhotoShop, Post processing, post-crop vignette, radius, RAW, saturation, shadow, shadows, tan, temperature, Tint, tonal, tonality, unsharp mask, Vibrance, vignette, warm, white point, Whites, workflow, workshop, yellow, yellows, Zabriskie Point
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I recently returned from seven fantastic days of an exciting photography workshop in the Eastern Sierra (any day or night in the Eastern Sierra is fantastic). I organized all of my photographs in Lightroom. And I thought it would be a good idea to share the steps I go through in case you might find it useful.
I try to keep up with importing the photographs from the day’s shoots into the copy of Lightroom running on my laptop. I’m not going to go into the specifics of the import process but you can read about it here.
Lightroom Tutorial – Importing Photographs
I’ve set up Lightroom to apply certain adjustments to the files as they are imported. For example, Lightroom applies adjustments in the following Developer areas – Basic, Tone Curve, Detail (capture sharpening), Lens Correction (lens make and model) and Camera Calibration (Process and Profile). The details are spelled out in this post.
Lightroom Tutorial – Camera Specific Presets
Tags: Adobe, Alabama Hills, Big Pine, Bishop, California, Convict Lake, Eastern Sierra, Half Done, import, Independence, Lee Vining, Lightroom, Lone Pine, Mono Lake, moon set, North Lake, Olmsted Point, Owens River, photo workshops, photography workshop, sunrise, sunset, Tioga Pass, workflow, Yosemite
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There are about as many definitions of “fine art photography” as there are people who call themselves “fine art photographers.” For many of us, fine art photography is an expression of our view of the world. Much of what we see in the world is captured in the images we capture in the field. But that’s not the whole story. Why? Because the true expressive quality of our photographs comes to life in the post processing – the digital darkroom if you will.
Continue reading “Lightroom Tutorial – Workflow” »
Tags: brightness, color, contrast, exposure, fine art, hue, Lightroom, luminance, photography, Post processing, saturation, tonality, workflow, Workshops
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I mentioned in an earlier post that I was using DxO now. I was introduced to the product in November at the Digital Summit workshop in Zion National Park. It looked pretty interesting and besides I got a deal I couldn’t refuse. I waited for the release of DxO Optics Pro 5 before jumping in. There were a lot of improvements made to version 5 that corrected some of the more serious shortcomings of version 4.
First of all, DxO works with RAW images. And given the sorts of corrections it applies, it makes sense to use DxO before any other RAW converter like LR, ACR or Capture One. So that’s where it comes in my workflow. Actually, I generally import RAW images into LR first, review and rank them in LR. When I determine the images I want to work on I then bring them into DxO and work on them there before returning to LR.
Continue reading “DxO Impressions 1” »
Tags: correction, distortion, DxO, fine art, Lightroom, photograph, photographer, photography, PhotoShop, Ralph Nordstrom, workflow
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