Photographic Challenges – the Situation

It was about two years ago that I was making plans for a very special photograph.  The concept was to photograph a bristlecone pine with the full moon rising behind it.  I also wanted the full moon in the earth shadow.  That’s the band of pink that rises in the east as the sun sets in the west.  Above the earth shadow the sky is a light blue.  In the shadow it’s a much darker blue.  And in the band between light and dark is a spectrum of colors, much like what happens in the west but more subtle.

Photographic Situation

Timing was going to be critical.  I needed to pick the right day of the month so that the moon would be in the earth shadow.  Too early and the moon would be too high when the shadow appeared.  Too late and the moon would rise well after the shadow was gone.

bristlecone_moon_2008 Bristlecone Moon (2008)

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Cliché

Cliché, to many photographers this is a dirty word.  Photographs of Yosemite Valley from Tunnel View, the Tetons from Ox Bow Bend, the Watchman in Zion from the bridge, Delicate Arch – all are considered by many to be clichés.

What exactly is a cliché?  Something that has lost its originality, ingenuity, impact from long overuse.  In other words, it’s been done before – and many times.  Some have gone so far as to suggest that there are no photographs left in Yosemite Valley that are not clichés.

Not all of us agree.

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Photography Tutorial – Getting the Shot

Last week I published a post in which I presented a photographic situation and solicited input on what decisions might go into getting the shot.  The situation was to photograph the interior of the beautiful Cologne Cathedral in Germany.  Here’s a link to the post.

Getting the Shot – Cologne Cathedral

In this post I’d like to share what was going through my mind as I prepared to push the shutter.  For starters, here’s the final photograph (click the photograph to enlarge it).

_A1P6721-Edit Cologne Cathedral

You may recall from the original post that I spoke of two things that go into every work of art – the artists Creative Vocabulary and the Interpretive Decisions he or she makes.

In this instance, which focused on the technical aspects of getting the shot, the Creative Vocabulary consists of the capabilities of the camera and the knowledge to use them.  The Interpretive Decisions are those decisions made in the moments that lead up to the instant the shutter is pressed.  So let’s step through what was going through my mind as I prepared to capture this image.

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Eastern Sierra Photographs

I finally got a chance to work on a few more Eastern Sierra workshop photographs from June.  It’s amazing how many things barge to the front of the line.  But I finally got to these.  I hope you enjoy them.

alabama_hills_vignette_2010Alabama Hills Vignette

This one was taken before the workshop started.  It’s just one more wonder to be found in the Alabama Hills.  I get a very quite feeling from this one.

lone_pine_creek_2_2010 Lone Pine Creek 2

One of the exercises we did during the workshop was to photograph the chapter, paragraph and sentence on Lone Pine Creek at Whitney Portal.  This was my sentence photograph.  The water is swirling around the rocks going every which way.  This image captures the whole turbulence of the cascade in this little microcosm.

bristlecone_dusk_2010 Bristlecone Dusk

I keep coming back to this bristlecone pine in the White Mountains.  And each year the interpretation is different.  It was somewhat overcast this year and as night was coming on the clouds created subtle patterns in the sky.  One of the things I like about this tree is how it grows high above Great Basin.  It’s been here for thousands of years.  On this evening it softly glows as the day turns to night – one more time.

half_dome_storm_2010 Half Dome Storm

The Tioga Pass road opened just a few days before we arrived in Lee Vining.  So there was no doubt that we would photograph sunset in Yosemite.  Olmsted Point provides a unique view of Half Dome from the back side.  As luck would have it a storm was rolling across the Sierra and we were there.  I love the power in this photograph.  When I look at the image I can’t help thinking how good it would look in a Southern California arts and crafts style house.

These will be up on my website soon but I wanted to give you a preview.

Join me on an upcoming workshop.

To see more of my photographs click here.

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