Posts Tagged ‘photo’

Making a Photograph – Personal Style

December 12th, 2014

Personal style. What is it? I like to bring up the topic of personal style in my workshops. I think it’s important to understand that each of us has a personal style whether we know it or not. It comes from the fact that each of us is a unique individual and sees the world in our own personal way. Our skill levels are different. Our life experiences are different. Our interests are different. And that leads to each of us having our own individual world view.

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Ten Reasons to Take a Photography Workshop

April 19th, 2014

We all love photography.  Perhaps you are a casual photographer, using your smart phone or point-and-shoot camera to capture the precious moments in life you cherish and want to remember.  Perhaps you admire the work of others and would like to be able to capture scenes or moments like they do.  Or maybe you are skilled and have been passionate about your own photography for quite some time now.

For those that seek to develop themselves as photographers there are a couple of approaches you can take.  You can learn on your own by reading and photographing.  And if you are able to devote the time and energy to this process you will surely be successful.  However, it is more of a trial-and-error approach to learning photography and, let’s face it, we don’t all have the time or energy to adequately feed our passion.

Or, you can learn from someone who has already mastered the challenges you encounter along the way.  And one of the most effective and affordable ways of accomplishing this is through a photography workshop.

So I would like to share with you my top ten reasons for attending a photography workshop.

1.     Inspiration

Photography workshops give you the opportunity to focus just on photography and capturing the beauty that surrounds you.  The complications of your busy life are left at home or at work and for several stimulating days your existence is focused on one thing – capturing the beauty that surrounds you.

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Mastering Sharpness – Depth of Field

March 2nd, 2014

A topic that receives a lot of attention in our workshops is focus.  It’s incredibly important, so important that I consider Appropriate Sharpness to be one of the four pillars of a successful landscape photograph.  (For more, read Making a Photograph – The Four Pillars.)  Most of the questions center around depth of field and hyperfocal distance.  In fact, this is so important that I give a class on Appropriate Sharpness during just about every workshop.  Let’s start the discussion with Depth of Field

Depth of Field

This is the range, if you will, of objects in the view of your camera that are in focus.  Objects in front of this range are out of focus as well as objects behind the range.  A deep depth of field would have the flowers just a few feet from you camera and the distant mounts miles away all in focus.  The depth of field would then extend from a couple of feet to infinity and for all practical purposes would be infinitely deep.  This is often referred to as a ‘near-far composition.’

death_valley_sunrise_2012_rrpm_rc0A shallow depth of field may be just a couple of inches deep with nearer and more distant objects out of focus.  This is referred to as ‘Selective Focus.’

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12 Tips on Nighttime Photography

January 22nd, 2014

Here are some tips on nighttime photography from an informative article by Dan Richards in a recent issue Popular Photography.  Credit for these tips goes to three great photographers – Matt Walker, Darren White and Mashahiro Miyasaka.  Here is the heart of what they shared…

  • Use a fast, wide lens.  Wide lenses slow the apparent motion of the stars.  Fast lenses gather more of the faint light.
  • Use a tripod.  The shortest practical exposure is 30 seconds.  Star trails require anything from tens of minutes to an hour or more.
  • Use an intervalometer.  This is essential for exposures greater than 30 seconds or if you plan to take a sequence of 30 second exposures.
  • Be aware of the weather.  An overcast sky will foil nighttime photography plans and a wind will wreak havoc with long exposures.
  • Be careful.  Scout the location ahead of time.  Use a headlamp, especially  one that has a red light so as not to destroy your night vision.
  • Include interesting foregrounds.  They can be silhouettes or you can light paint them.  You also have the option of creating a composite image by capturing a well exposed image of the foreground at low ISO and a high ISO image of the sky and then blending the two.
  • Focusing is really difficult.  Autofocus doesn’t work so you must use manual focus.  Pick the brightest star in the sky and use live view to focus on it (don’t change your focal length to focus; use the focal length you’ll be using for your image).  Another alternative is to focus on an object at infinity during the day and then marking the focus point with fluorescent tape so you can reset the same focus at night.  Again, use the focal length you will be shooting with as the infinity focus point changes as you zoom in and out.
  • Exposure is critical.  If you’re going to shoot starry  night photographs your exposure length will be 30 seconds (with a 24 mm lens or wider).  Shoot wide open and run tests with different ISO settings.  If  you’re going to use a long exposure to get star trails determine the ISO setting your 30 second exposure and then adjust ISO and f/stop to compensate for the length of exposure.  If your ISO is 6400 at f/2.8 and 30 seconds, if you want a 60 second exposure reduce your ISO to 3200.  A two-minute exposure requires an ISO of 1600.
  • Take a workshop.  That’s always good advice, no matter how experienced you are.  There’s always more to learn.
  • Don’t get disheartened.  This is not easy stuff but practice pays off.
  • Get in shape.  Good locations for night photography are going to be where there’s minimal light pollution and that’s a long ways away from city lights.
  • When the temperature is cold wrap a hand warmer around your lens to keep it from fogging over on those long half hour to hour exposures.

Well, that’s it.  Yea, and I confess; I threw in a couple of my tips too.

Hey, here are a couple of blog posts I’ve done on nighttime photography a while back there.

Exciting Nighttime Photography in 10 Easy steps

Nighttime Photography

So, go on out there and give it a try.  Have fun and be careful.


We always enjoy hearing from you so please feel free to leave a comment and share your experiences with us.

Also sharing this post on Google+, Facebook, Twitter and the like is also appreciated.

Join me on an upcoming workshop.  Click here for more details.

To see more of my photographs click here.

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Best of 2012

January 18th, 2014

In 2013 we started a fun project – picking the best of my photographs from 2012.  We approached it area by area, choosing the best from each.  It’s been a lot of fun so far.  And now it’s time to finish what was started and select the best photograph of 2012.

There are photographs from four areas – California Deserts, Eastern Sierra, Big Sur and Zion National Park in Utah.

death_valley_sunrise_2012California has two wonderful desert national parks.  Joshua Tree here in Southern California is a blend of both high and low desert, the fantastic trees that give the park its name, outcrops of granite that attract climbers from all over the world, not to mention the great photography.  Death Valley is the premier desert attraction in the country.

pfeiffer_beach_sunset_2012At the opposite end of California’s diverse spectrum is incomparable Big Sur, one hundred miles of the most incredible coastline in all of North America. Big Sur is famous for its precipitous cliffs that plunge into the pounding surf of the Pacific Ocean but it also boasts redwood groves, waterfalls, classic bridges and more.  One small stretch of the coast captured your imagination and for good reason.  Pfeiffer Beach is blessed with some incredible rocks just off shore pounded by powerful surf.  And when the light is just right the photographs are unbeatable.

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The Eastern Sierra boasts the mighty Sierra Nevada mountains to the west and rivers and lakes along the Owens Valley.  One of the prime attractions is the Mammoth Lakes area with it’s superb skiing and a beautiful string of alpine lakes and laughing streams.

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Zion National Park in Southwest Utah attracts visitors and photographers from all over the globe.  Its spectacular red sandstone cliffs create a canyon that of unparalleled beauty.  And when autumn storms roll through, the drama of the already impressive cliffs and towers is intensified.

This is a sampling of the photographs that are being considered for the Best of 2012.  The top two images from each of these areas are presented for your evaluation.  Take our survey to view them all and pick the ones you like the best.

Thanks for participating.  Have fun and enjoy.


Please feel free to share this with your friends.  The more input we have the better.

Join me on an upcoming workshop.  Click here for more details.

To see more of my photographs click here.

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Mastering Exposure – Expose to the Right

November 16th, 2013

Over the years there has been a lot of interest in the concept of ‘Expose to the right.’  This is something that is commonly done in digital photography where you intentionally overexpose an image.  The idea is that in digital images there is more information to work with in the brighter tonalities than there is in the darker.  And this will give you more to work with in the darkroom (Lightroom and Photoshop) which will result in a better image.

I’ve written several posts on this topic and if the concept is new to you please read these.  I’m not going to go into the theory here; that is spelled out in these posts.

Lightroom Tutorial – Expose to the Right

Expose to the right – Revisited

Now, I understand the theory.  I’m a computer guy; I had better understand it.  But I’ve always wondered if the promise of a better image actually worked out in real life.  So I did a test during our recent photography workshop to Big Sur.

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Big Sur Photography Workshop – Highlights

November 8th, 2013

We wrapped up the 2014 winter Big Sur photography workshop last night with a spectacular sunset at Point Lobos in Carmel, California.  But hold on.  Before we get to that I want to share with you some of the highlights from this week.

Let’s start with a funky photograph I got at the Santa Rosa Creek estuary way south down in Cambria, California.  I went up to Cambria a couple of days before the workshop started for a little exploring.  It paid off.  I call this one, “Get Your Ducks in a Row.”

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Also that same day I caught a surfer catching a wave.  The surf was definitely up.

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We start the photography workshop Monday in San Simeon at the southern end of the Big Sur coast.  To get it off to a good start we photographed sunset at the southern end of the impressive Big Sur headlands.  And we were treated to some equally impressive light.

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Best Photograph of 2012 – Eastern Sierra

March 10th, 2013

We are continuing our selection of the best of my 2012 photographs.  In the first round we selected the best California Desert photograph.  Four photographs were presented and the one that ranked the highest was Death Valley Sunrise.  See Best Photographs of 2012 – California Desert for the other three.

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We have just concluded the second round in which you selected the best Eastern Sierra photographs of 2012.  There were six to choose from in this category.  I’d like to share them with you one by one and tell you a little bit about  each of them.

Let’s get started with this one.

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Lightroom Tutorial – Workflow Made Easy

March 2nd, 2013

Lightroom is a great tool. It’s quick and easy to use – once you get the hang of it. But sometimes mastering the workflow, the steps you go through to take a raw file to a ‘final’ image, can be a bit daunting.

Let me say up front that Lightroom is an important part of my workflow but it’s not the only part.  Every photograph I work on starts in Lightroom but is completed in Photoshop.  Nevertheless, Lightroom gets a photograph to about 80% of the final product.  I know many people who use Lightroom exclusively and Photoshop only in rare circumstances if at all.

So back to the workflow.  Can it really be made easy?  Yes it can.  There are four major steps (not counting import – see Lightroom Tutorial – Importing Photographs):

  1. Mechanical adjustments like dust spot removal and cropping
  2. Tonality adjustments
  3. Hue adjustments
  4. Saturation adjustments

Let’s skip the first step and start with the second.  The example will be in Lightroom 4.

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New Photographs

September 16th, 2012

I just finished posting a batch of new photographs on my website. They are from three different ‘shoots.’  I’d like to tell you a little about each of the shoots and share the photographs with you.

I don’t put anything up on my website until I get prints that I’m satisfied with.  Another way of putting it – a photograph isn’t done until it looks great on paper.  I’ve made large prints of all of these and, I must confess, I’m very pleased.  I’ll be matting and framing them and showing them to the public for the first time this weekend at the Old Monterey Fine Arts Festival in Monterey, California.  If you’re in the area Saturday or Sunday, stop in and say Hi.

Big Sur

I have two photographs to share from last month’s Big Sur photography workshop.  We covered famous Highway 1 from San Simeon to Carmel-by-the-Sea.  The weather was clear, the sun was bright and an on-shore wind made for some great surf. 

I chose two photographs to put on the website.  The first is Bixby Bridge.  I’m not normally into photographing man-made structures.  But this one turned out so well with great light and a sense of its gracefulness and size that I had to include it.  Click on the link to see the photograph and read more about it.

View Bixby Bridge (2012)

The other photograph is China Cove in Point Lobos State Park.  I’ve always been impressed with its rugged serenity and, with the soft light of an overcast day helping out, I think I finally got a photograph that captures it.

View China Cove (2012)

 

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