Making a Photograph – Primal Dawn

Bryce Canyon National Park, Utah

I’m  fortunate to be able to return to Bryce Canyon National Park every October. It’s a wonderful time to be there. The air is clear and cold and the sun rising above the San Francisco peaks on the eastern horizon (the western boundary of Dinétah, the Navajo ancestral homeland given to them by the Holy People) is like the beginning of time itself.

Bryce Canyon sunrises are to be savored, every moment of them. Bryce Canyon is not a canyon but an enormous amphitheater that faces the rising sun. There is nothing between the hoodoos and fins of Bryce and the approaching sun other than the curvature of the earth. It’s best to arrive early while it is still dark. The last stars are still twinkling above as the light begins to gather on the horizon. As the minutes slip by, the faint gray light struggles to push back the dark. As it gains strength, it gradually turns to first a pale orange and then an intense orange, crowned by the dark blue of the still, night sky. It is thrilling to experience and it continues to get even better.

The glow on the horizon continues to grow, becoming a blinding yellow as the night quickly recedes. Just when you think the glow couldn’t get any more intense, a fiery sliver appears and continues to grow inexorably into the brilliant orange disk of our very own star. That’s when the hoodoos, arrayed in the soft, gentle light of dawn, change their robes for the glorious first light of morning. Continue reading “Making a Photograph – Primal Dawn”

(156)

High Dynamic Range Processing

High Dynamic Range or HDR has become a standard and often used tool when I’m in the field.  For example, a few weeks ago when I was shooting sunrises in Bryce Canyon we would arrive well before sunrise.  Generally I would start shooting when it was light enough to get a good exposure at 30 second, ISO 100 and f/16.  That’s a good 20 to 30 minutes before the sun peeks over the horizon.  In that wonderful pre-sunrise light the dynamic range is very low, maybe a total of four or five stops.  There is no need for HDR because under those circumstances I can get a good 8 and if I want 9 stops of dynamic range from my sensor.

But as soon as the sun is above the horizon all that changes.  The dynamic range jumps to at least 8 stops, probably more.  (I don’t take the time to scintifically measure the dynamic range because things happen so fast in those first few minutes.)  I don’t want to take any chances with that incredible light so I switch to HDR, just for insurance if nothing else.

Continue reading “High Dynamic Range Processing”

(563)

Bryce Canyon Reflections 1

The trip to Southern Utah is starting to yield some results.  And while this is still preliminary (that is to say, it hasn’t been proofed yet), this one is a favorite.  And, it was just about the first shot I took.

Sunrise at Sunrise Point
Sunrise at Sunrise Point

There are no comments to add at this point, just the soft glow of a beautiful morning.

(614)

Shooting in Southern Utah

It was a week ago today that I arrived home from a week of shooting in Southern Utah.  As wonderful as California is with its beaches, mountains and deserts, Utah has to be one of the most exciting places on earth.  The air is clear and the vistas, breathtaking.  I remember the first experience with the Grand Staircase part of Utah when I was much younger thinking this was the real West, the likes of which you saw in early Westerns.  And for good reason as a lot of early Westerns were shot in Utah.

Continue reading “Shooting in Southern Utah”

(486)