Touch the Sky

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How many times have you seen a photograph of tall trees taken with the camera pointing straight up and the trees converging high in the sky? It’s a pretty common shot. Standing in a grove, turning your eyes upward and wondering at the enormity of these living things, putting camera to eye and pressing the shutter is compelling.

But, to paraphrase Minor White, one of the great pioneers of fine art photography, it’s important to get into the habit of seeing ‘what else is there.’ And one way to find the ‘something else’ is to say to yourself, ‘OK, let’s do something craaaazy!”

I mounted my widest lens on my camera, got my tripod as low as it would go and laid down in the dirt to compose this image. People looked at me like I was craaaazy – which I was. I wanted to capture this incredible tree from ground to crown. There were a few technical details to work out like depth of field and exposure (there always are technical details with digital photography) but the main thing was to capture as much of this tree as I possibly could, so I could share with you the wonder I was feeling.

And a very close second was to let my inner child out and lay in the dirt, gazing into the upper reaches of this towering marvel.

Notice how the tree comes out of the bottom left corner and stretches to the right on a slight diagonal. That was intentional because that little angle changes this image from something static to a much more interesting one that is dynamic, alive. A simple, yet powerful technique.

You can do this yourself. Here are a couple of tips. When you see something you want to photograph, shoot it the way you normally would. But then, get crazy. Let yourself go and play with other ways of viewing your subject. You don’t have to get in the dirt if you don’t want to…, but I highly recommend it.

Also, be aware of diagonal lines in your image. They add motion and energy and make the photograph more interesting.

And finally, fill the frame with your subject. Don’t be afraid to move in closer or, if you have a zoom lens, zoom in tight. Like this tree, make your subject the dominant element in your photograph.

Oh, and don’t forget the experience itself. Bringing home a nice photograph, a keeper, is rewarding but that does not outshine the thrill of being there among these tall giants. It is a time to grow quiet and let Mother Nature speak to you in her soft, still voice.

By the way, this tree is in the Lady Bird Johnson grove at Prairie Creek State Park in Northern California. The tree stands in a small clearing where Lady Bird, Richard Nixon and other dignitaries stood when the grove was dedicated to her. There’s a nice bronze plaque commemorating the moment. Makes it kind of special.

Join me to photograph Redwoods National and State Parks in May from the 21st to the 24th. It’s the perfect time to be there.  For more information, click here.

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The Making of a Photograph – Clearing Storm, West Temple 2012

A clearing storm in beautiful Zion Naitonal Park contributes to an exciting photogrpah of the West Temple. Read how this photograph was created.

As I drive across the Mojave Desert late one Thursday night not long ago, heading north on I-15, I have a sense of harmony, of unity with the night, the highway, my car.  The pavement ahead eases into the beam of my headlights, grows brighter as it draws closer and then slips back into darkness as it slides underneath.  Nights like this are a joy.  I’m in a groove, a state of calm serenity and anticipation.  Tomorrow I’ll be returning to Zion National Park, something I always look forward to.  I didn’t notice the faint flashes of light.

Powerful thunderstorms were roiling over eastern California and southern Nevada that night, The dark clouds glowed with flickers of light and precious water dropped on the parched desert.  it was a huge storm and I was chasing it.  Approaching the state line the casino lights of Prim were reflected, bright and shimmering, on what is normally a dry lake bed.  A half hour later as Las Vegas finally came into view, the glitz and glamor of the gaudy hotels was dwarfed by the grandeur of bolts of lightning streaking for miles across the turbulent sky.

The following morning workers were cleaning up after the storm but it hadn’t fully passed.  Storm clouds still blanketed the sky for the remainder of the journey to Zion.  A detour to Kolob Terrace to check the aspens was, I suppose, inevitable.  The falling snow up in the high country was a surprise.  And a delight.  Sunrise the next morning was looking promising.

The best location in Zion that gets the full sunrise treatment is West Temple.  I’ve photographed it many times but never got anything that I was excited about.  The most popular location to shoot from is the ‘patio’ behind the museum but on this morning I chose a less visited one – the 2nd switchback on Tunnel Road.  The expectation of clearing storm clouds, the choice of shooting locations – everything worked out just right.

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Continue reading “The Making of a Photograph – Clearing Storm, West Temple 2012”

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Making a Photograph – Vision

Develop your vision and express yourself through your photographs.

“This photograph speaks to me.”

The photographs that have a strong impact on us speak to us.  The photographer has created an image that moves us.  Did he or she have something in mind when making the photograph?  Probably so.  Strong images just don’t happen by accident.

As one grows as a photographer one’s vision becomes clearer.  One begins to discover who they are and what they have to say.  And as one’s technical and aesthetic skills develop, skills used in both the field and the darkroom, one’s ability to express their vision becomes stronger.

The artist’s vision is an important element of their art.  The clearer an artist is on what his or her vision is the more expressive their art becomes.

If you’re not clear on what your vision is, live with your photographs.  Become aware of what you associate with them, what stories they are telling you, how they make you feel.  And as your vision emerges nurture it, strengthen it, let it speak through you and your art.  And then your photographs will also speak to others.

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We do photography workshops.  Come on out and join us.  Click here to check us out.

You can also check out our photography.  Click here.

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Exciting Nighttime Photography – Exposure

Nighttime photography – photographing the moon

There are many techniques involved in nighttime photography.  Star trail photographs are a traditional approach dating back to the film days.  If you think about it, that makes sense.  With the ISOs commercially available to most of us photographers, shooting the nighttime sky was not an option.  We simply didn’t have fast enough film.

With the advent of digital photography we can now push ISOs into the thousands and the noise levels are constantly improving.  And we can modify our cameras’ sensors to sensitize them to infrared light, something that the serious and most accomplished nighttime photographers do.  This provides us the opportunity to photograph both star trails and the night sky.

In previous articles I’ve discussed techniques for both types of nighttime photography.  In the most recent one I describe a technique that can provide both star trails and night sky photographs from a single session.  Here’s the link.

Exciting Nighttime Photography in 10 Easy Steps

One aspect I haven’t covered in detail yet is exposure.

Earlier this week there was a beautiful conjunction of the crescent moon and Venus in the early evening sky.  So I grabbed my camera, got permission from my neighbor and used their front yard to photograph the moon and Venus over the Los Angeles basin here in Southern California.

Continue reading “Exciting Nighttime Photography – Exposure”

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Did You Manipulate That Photograph?

Did you manipulate that photograph?

When I do art festivals and shows I’m often asked, “Did you manipulate that photograph?”  I have several answers.  The most direct is, “Yes, of course.” 

Other times I’ll reply, “My photographs are what I saw, not what the camera saw.”  Or if I’m feeling really wordy I’ll answer, “Let me explain it this way.  I approach photography from the mindset of a painter. I want to give myself the same creative freedom of a painter.”  To which the inquirer will often respond, “Oh, I get it; you’re an artist.”

To manipulate or not to manipulate.  That’s not even the question.  Why?  Because you have to go to extremes to have a photograph that is NOT manipulated.  OK, that’s a pretty bold statement.  So let’s take a deeper look.

Continue reading “Did You Manipulate That Photograph?”

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Journey – First Steps

Introducing “Journey – First Steps,” a showcase of 24 photographs from Ralph Nordstrom and a chronicling of his discoveries in photography over the past five years.

I’m very excited to announce that I just published my first book.  It’s something I’ve been thinking about for along time.  The title is “Journey – First Steps” and it showcases 24 of my favorite photographs from 2005 up into 2010.  It’s also a chronicle of my development as a photographer from those early uncertain days to today.  Not only does the book contain these photographs but I share with you where I was at the time they were taken and the discoveries I made along the way.

Your are invited to check out the preview.  It contains a sampling of the 54 pages and is available in eBook format (viewable on iPad and iPhone), soft cover and hard cover on Blurb.  It would make a beautiful gift for someone dear.

Oh, and let me know what you think.  Thanks.

We do photography workshops.  Come on out and join us.  Click here to check us out.

You can also check out our photography.  Click here.

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A Great Photography Car

The Ford Escape Hybrid gets to stretch its legs in Big Sur.

My 2003 Prius has had it.  At 230,000 miles it was time to trade it in.  It served me well and we went places I had no business taking it (read “some pretty nasty dirt roads”).  But it wasn’t really a good car for landscape photography.  Nevertheless, it never complained.

So around the end of last year I started thinking about a car that would be great for the kind of photography I do.  I had some basic requirements:

  • Cargo space (to carry all my gear including the stuff I need for workshops)
  • High clearance (for those nasty dirt roads)
  • Good gas mileage (I was addicted to 45 mpg from the Prius)
  • 4WD (again, to go those nasty dirt roads)

A survey on the internet turned up several makes and models but the Ford Escape hybrid was at the top of the list.  I visited the dealer and none were to be found in all of Southern California so on January 11th I placed the order.  The decision looked good on paper but would the actual vehicle measure up?

Continue reading “A Great Photography Car”

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The Making of a Photograph – Pond, Owens Valley 2011

Follow along in the making of a photograph as we go from kneeling in the mud to the final print on paper.

It all started with kneeling in the mud.

I was with David Muench, Jerry Dodrill and twelve other eager photographers on a Mountain Light Gallery workshop in May.  We lined up along the bank of the pond just outside Bishop, California and aimed our cameras at magnificent Mt Tom, the dominant peak in the Eastern Sierra crest in this area.

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I’d like to take you through the process of making a photograph from the images I captured that morning.

Continue reading “The Making of a Photograph – Pond, Owens Valley 2011”

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Camera Gear–Camera Bag

How I ended up with a thinkTANK StreetWalker camera bag and how much I love it.

It was about this time last year that I was absorbed in deciding what camera gear to take with me to Germany.  We had a family vacation planned for a one week cruise on the River Rhein – from Basel, Switzerland to Amsterdam, Netherlands.

I knew I was going to take my Canon PowerShot G11, my don’t-leave-home-without-it camera.  The big question was would I take the big Canon with its retinue of lenses.  And would I take my laptop with Lightroom and Photoshop?  It came down to one simply stated problem – how could I safely get them over there and back?

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Photographing the Eastern Sierra

Let me show you some of my favoriate locations for photography in the Eastern Sierra.

I don’t know where you’ll find a more spectacular range of mountains than the eastern edge of the mighty Sierra Nevada Mountains.    This is where the gargantuan slab of granite from which the mountain range is formed plunges precipitously from the peaks along the crest into the Owens Valley below.  Driving up the Valley on legendary highway US 395 is likely to give you a crick in your neck.  Because you can’t take your eyes off the endless procession of towering summits.
I’ve camped and backpacked in these mountains since I was a young boy and I always love returning to them.  And now that I come back with camera in hand I have an opportunity to capture and share with you the inspiration I receive here.
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Mt Whitney
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Mt Williamson
Mt Whitney is the tallest peak in the lower 48 and from your vantage point in the valley below it towers more than two vertical miles above your head.  It’s nothing short of breathtaking in the morning sun.
But there’s more to the Eastern Sierra than the grandeur of these mighty peaks.  Come with me on a journey as I show you the superlative and the sublime.

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